Categories

The Girl's Head. XX c.

The head of a young girl is slightly tilted to the side; her curvy hair is neatly stacked, framing her face. Large eyes, expressive eyebrows, neat nose and generally right facial features create the image of an oriental beauty. The expression of the girl's face is a bit thoughtful, but it seems that if you call her, she will immediately raise her glance and smile. The sculptor masterfully transferred not only the external features, but also the inner spiritual world of the character. 


 

More
Chinara. 1986 yr.

Head of a young Kazakh girl, hair scraped back and slightly curling, showing neat ears. The eyes are slightly covered, and a wavy forelock hangs over them. A sharp chin is set forward, accentuating the closed tender lips. Meditation is clearly felt, an attempt to internal thinking. The sculptural portrait seems to be the embodiment of harmony, in which the feminine plasticity is combined with the charming angularity of youth.

More
Kerbes-Astana. 2000 yr.
In front of us is the image of a young girl walking proudly forward. The girl's hair and clothes are fluttering in the wind. The sculpture symbolizes the young capital of Kazakhstan – Astana. In the laconic images of women, to which ToleshShokan repeatedly refers, there is no "verbosity" of gestures, lines; everything is capacious and concentrated. 

More
Fairy Tale. 2013 yr.
Many works of the author trace the influence of Mongolian art of the X-XIII cc. Basically, these are characteristic images of headdresses, clothes, weapons, strongly elongated masks of Mongoloid faces. In front of us is the image of an elegant and unruffled female rider on a graceful horse in dialogue with the mythical guardian leopard at the base of the sculpture and with some fantastic dragon on the horse's rump. Gold patination emphasizes the fabulous plot. 

More
ХХ c. 1985 yr.

The astronaut sits on a wooden chair, throwing his foot on his leg, the arms outstretched. The relaxed posture comes into discord with a strained, pained expression on the face of a man with closed eyes. His eyebrows are folded; the corners of his lips are lowered. The suit is made of aluminium, while the face, hands, and bare feet are cast from bronze. 


More
Female Torso. 1994 yr.

Laconic composition represents a stylized image of female figures with pulled up legs, elegant long torso and small breasts. 



More
Neke. 1979 yr.

Two anthropomorphic figures in a complex intertwining. One, with a woman's breast, spreading her thin long legs widely, threw her arms up. Another – thin, plastic is a "bridge" thrown over the shoulders standing, her legs resemble thehorse’s.



More
Portrait of M. Auezov. 1963 yr.
Bust of the famous Kazakh writer MukhtarAuezov. Portrait of an elderly oriental man with deep bald patches, in a suit and tie. The forehead is strained, between the eyebrows there are vertical folds, the brooding eyes are directed slightly to the side.

More
Mother's House. 1983 yr.

The intersecting lines and the triangular flat base create the illusion of a fragment of the room with the woman sitting in the corner on her knees. She stretches her hands to a symbolic hearth, which is shown in the form of a flat round bright piece of red smalt.



More
Tazy. 2004 yr.
On a black marble parallelepiped, stretching its front paws and raising its head, there is a dog lying, the breed of Tazy – gorgeous and elegant. On the body of its body there are holes of different shapes and sizes.

More
Family with a Bird. 2008 yr.

Two sitting figures are frontally shown a man and a woman. They are depicted planar and schematically. A man holds a child with a fish in his arms, and a woman, cross-legged, holds a boy on his shoulder. Above the heads of adults there is a bird. 



More